Pivotal Transitions
States of America (2017) is the the largest overview of North American documentary photography in recent years.
States of America (2017) is the the largest overview of North American documentary photography in recent years.
Huis Marseille, Amsterdam, brings together a collection of Jamie Hawkseworth’s images offering a nuanced and empathetic portrayal of England.
MACK publish stills from Richard Mosse’s Incoming, a film that captures the refugee crisis through thermographic weapons and imaging technology.
Unseen Amsterdam is devoted to identifying, and fostering the talents of emerging and established innovators.
Into the Light (2017) ultimately dissembles traditional notions of architecture, subverting the ways in which viewers engage with liminal spaces.
The biennial Artists’ Award, hosted by the BALTIC Centre for Contemporary Art is the first worldwide award to be judged solely by artists, and it shows.
With the weekend in sight, time and space for contemplation is on the horizon. The 5 to See for 14 – 16 July traces the common links in humanity.
A celebration of photography takes place in Shanghai; the fourth edition of PHOTOFAIRS features notable names alongside new talent.
The Time is Now is curated to expand on the MoMA’s, New York, current show Making Space: Women Artists & Post-war Abstraction.
Cerith Wyn Evans’ installation evokes a playful manipulation of space and time through a spectacle of light.
In The Whiteness of the Whale, British photographer Paul Graham examines the intersections between race and social status in America.
This year’s Lyon Biennale questions the meaning of modernity in our ever-shifting world. It forms the second installment of what will become a themed trilogy.
Chrystal Lebas’ Regarding Nature explores the dynamic between human beings and the organic landscape as two interacting spheres of life.
The exhibition considers the subtle differences between regions, highlighting how and why they remain a source of inspiration.
Thomas Ruff’s photographs question and redefine the artistic potential of the craft as a platform for social commentary.
Ubiquitous, cheap and light, plywood is the focus of an exhibition opening at the Victoria and Albert Museum, London, this summer.
Rachel Whiteread demonstrates command of the interdependent factors of space and place, with both inventive and monumental structures.
The 2017 edition of the Accessible Art Fair (ACAF) offers a platform for emerging artists and designers to showcase and directly sell their work to audiences.
TASCHEN’s new publication, Brick by Brick, is a compilation of contemporary buildings from the past 15 years that hark back to the inexpensive material.
