Breaking the Rules of Graphics
This Artist is Deeply Dangerous, Bob & Roberta Smith’s 11-metre painting, opened at The Grey Gallery as part of 2009’s Edinburgh Art Festival
This Artist is Deeply Dangerous, Bob & Roberta Smith’s 11-metre painting, opened at The Grey Gallery as part of 2009’s Edinburgh Art Festival
Provocative as ever, the 2003 Turner Prize winner, Grayson Perry, takes on a new role as curator with Unpopular Culture at Yorkshire Sculpture Park
Rankin is refreshingly free of pretensions, “for me it’s always been really important not to call myself an artist, but a photographer.”
This just in… The Board of Trustees of Tate has announced today that the Prime Minister has appointed Bob and Roberta Smith and Wolfgang Tillmans…
Contemporary visual art takes many forms – the aritsts’ mission today in infused with defining that concept. Gustavo Ortiz is one of Argentina’s rising stars…
Inkygoodness is a Bristol-Birmingham based duo that organise exhibitions providing a unique platform for emerging talent to showcase their work alongside established artists. Inviting you…
Opening on 4 July at Eastside Projects in Birmingham, a solo show by Glasgow based artists Joanne Tatham & Tom O’Sullivan. The collaborative duo have…
The sentiment reflected throughout the art world has been that of the recession, cut backs and closures. It has been a tumultuous time for all…
Saville is a natural and engaging speaker, and he profusely urges us to stop and consider our state of play. He is still open to all possibilities and contemplates his opinions to an extensive degree.
Chen Ke, one of China’s new generation of young artists discusses her work, the dichotomies of identity, personal tastes and culture in the flux of modern China.
Explorations on the built environment, avant-garde inheritance, and individuality bring together the work of 15 Polish artists, and an exposé on Tadeusz Kantor.
The 53rd Venice Biennale, directed by Daniel Birnbaum, offers a glimpse at the ideas of freedom, originality and the purpose of expression.
The American West is symbolic, from cowboys to canyons. Into the Sunset explores photography’s ephemeral qualities from the 1850s to the present.
Boo Ritson’s painted people examine the cultural stereotypes of the collective imagination, and effortlessly fuse sculpture and painting into a new form.
Chris Gollon has been probing the human condition from an absurdist point of view for the greater part of two decades. His work promises to evoke this age-old topic.
Transmission Interrupted at Modern Art Oxford, encourages a considered attitude to both the physical and sociological influences of the 21st century milieu.
Showcasing works from the late Angus Fairhurst, Arnolfini draws attention to the range and melancholy of this often overlooked Young British Artist.
The curator of the fourth Tate Triennial, Nicolas Bourriaud introduces a new term “Altermodern” in response to the increasingly global context we live in.
Roger Ballen employs 50 years of photographic experience to understand how a photograph affects the human psyche in his latest book, Boarding House.
