Seeing Innovation
Thanks to a programming policy that favours unpublished works, Rencontres d’Arles has been a leader in disseminating some of the world’s best photography.
Thanks to a programming policy that favours unpublished works, Rencontres d’Arles has been a leader in disseminating some of the world’s best photography.
On the edge of the South East coast, a small seaside town is welcoming back its most famous daughter, Tracey Emin. Banners from her last visit still adorn Margate: “Welcome Home Tracey!”
Since its first edition 15 years ago, Manifesta has been concerned with the idea of breaking down barriers, crossing borders and building bridges.
The third edition of the International Festival of Typography and Poster Design is focused on the relationship between Polish and Belarusian design.
UP Projects and The Architecture Foundation announced an Open Call to design a Floating Cinema. Artist duo Somewhere will be devising a varied and vibrant programme of on-board events.
For the past seven years the Northern Irish based artist, Brendan Jamison has amassed a significant body of work. Jamison appropriates diverse media including wax, wool, sugar cubes and pins.
The Search for Immortality: Tomb Treasures of Han China features 250 treasures in jade, gold, silver, bronze and ceramics and is a key show of ancient royal treasures ever to travel outside China.
In celebration of their first anniversary, Hoxton Art Gallery are showing The Pleasure Principle. We speak to Director Matthew Nickerson about what makes the gallery stand out from the rest.
German artist Gloria Zein was awarded the Cass Prize for Sculpture in 2011. I Can’t Stop the Dancing Chicken has been commissioned by the Goethe-Institut London to mark its reopening.
When the art world learned of the invention of photography, statements were made which prophesied the doomed fate of painting, none more memorable than Paul Delaroche’s aphorism.
Argentinian-born photographer Adriana Groisman’s Voices of the South Atlantic has been in development for nearly eight years and marks the 30th anniversary of the Falklands/Malvinas war.
Ever have a moment, just a fragment of time, that you wish could be preserved for eternity? Not necessarily anything special, beautiful but not mind-blowing, just something that inspires a feeling within.
Curated by Amak Mahmoodian, Bi Nam is a group exhibition exploring image and identity in Iran. This is the first show in the UK representing the work of a group of contemporary Iranian photographers.
Mulberry interviews some of the artists from Frieze Projects alongside Cecilia Alemani, curator of the project. The video gives an insight into the work involved with this debut Frieze New York.
A collision of the traditional and the contemporary is presented at Bradford 1 Gallery. It would seem that Street Art has evolved into a resonant and democratic medium of expression and reflection.
It is refreshing to encounter an exhibition, Michael Dean’s Government, with such a value-laden title that is concerned with the fundamental worth of the term rather than its party-political resonance.
Of the many myths surrounding the Titanic’s legacy, one describes how Protestant dock workers in Belfast chalked NPH (No Pope Here) on the ship’s bow thus dooming its maiden voyage.
The Catlin Art Prize, an annual event showcasing the most promising art school graduates one year on from their degree exhibitions, opens tomorrow at the Londonewcastle Project Space.
For the curator of the seventh Berlin Biennale for Contemporary Art, Polish-artist Artur Żmijewski, the concept of the Biennale is simple – presenting art that has a transformative impact on society.
