Ready for submersion into a harsh urban sphere, Bernard Chandran’s AW14 collection channels all of the strongest parts of menswear tailoring, with the cinching and finesse of women’s wear.

Haus der Kunst reveals a new permanent gallery dedicated to the presentation of its historical archive containing documents on the building’s architecture and history, alongside a talk with Martin Schmidl and Sabine Brantl on 8 March.

Shezad Dawood will premiere his latest short at the Marrakech Biennale at the end of February. Shot in Morocco’s Sidi Ifni, Towards the Possible Film examines histories of violence and future dystopias.

Five key organisations across Bristol join forces to present Bristol New Music from 21 February until 23 February: Colston Hall, Arnolfini, Spike Island, St George’s Bristol and the University of Bristol.

Walk On – From Richard Long to Janet Cardiff, 40 Years of Art Walking brings together the work of almost 40 artists including 2 and 3 dimensional pieces, video and performance.

Art Basel Hong Kong opens in May and we’re looking forward to the collaboration featured at the event between one of Hong Kong’s most exciting young artists Nadim Abbas and Absolut.

Darren Almond’s To Leave a Light Impression at White Cube, Bermondsey, includes his photography series Fullmoon and Present Form, enthralling the audience across three large rooms.

Jeremy Hutchison’s i- is invested in the psychology behind consumer culture. Playing with audience expectations, i- features hand models unexpectedly holding lumps of distorted clay.

Bottega Veneta has joined forces with Pieter Hugo to shoot the Spring /Summer campaign. Every season the new collection is conceived and captured by an exceptional photographer.

Paul Gaffney’s We Make the Path by Walking and Michal Iwanowski’s Clear of People will engage with the idea of journeys as both artists document their personal expeditions across the land.

The Jameel Prize is a delightful antidote to any notions of poor taste and bad judgement attempting to taint the validity of Islamic culture, visual or otherwise. Running until 21 April at the V&A.

In this exclusively online exhibition, the second of its kind for Hamiltons, waterscapes and nudes come together to blend two bodies of Tomio Seike’s work in a selection of black and white images.

Infinite City is a group exhibition featuring works from two private collections: the Zabludowicz Collection (located in London, New York, and Sarvisalo, Finland) and Kadist Art Foundation.

Franz Ackermann’s three-dimensional panels comprising of cartographic watercolour drawings and black and white photographs reflect the bare bones of urbanisation as well as globalisation.

Curated by the contemporary arts and education charity Project Space Leeds (PSL), A New Reality Part 1 is The Tetley’s maiden programme, promising a series of cross-disciplinary exhibitions.

Glenn Ligon’s third exhibition at the Thomas Dane Gallery sees inspiration from Steve Reich’s Come Out (1966) manifesting through an ensemble of three monumental screen-printed paintings.

Saudi Arabian artist Faisal Samra’s first solo exhibition in the UK opens at Ayyam Gallery, London on 13 February. The show is a response to Samra’s interest in the process of creation.

A tender, ethereal spirit of the artist is revealed through the works of Hans Josephsohn, currently on display at Hauser & Wirth. A kinetic energy excites the spaces between the sculptures.

Tate Britain’s transhistorical Ruin Lust will reveal the importance of ruins in art from the 17th century to the present day, detailing the evolution of the subject over 400 years. From 4 March to 18 May.

Rankin, Johny Dar and model Tuuli Shipster, have teamed up to produce the stunning calendar. Inspired by the artist’s series, DAR the BOOK, Dar hand-painted his designs directly onto Tuuli’s body.