Disrupting notions of the quotidian, Leandro Erlich’s practice employs optical illusions to create surprising visual works.

Experimental Dutch designer Joris Laarman and his team apply innovative digital technologies to the design process.

The four artists shortlisted for this year’s prize respond to the pervasive nature of information in the accelerating digital age.

The ever-changing face of fashion is exemplified through a unique label that combines digital origins and clean styling with an ethical commitment.

Both universal landscapes and personal experiences are represented in a new publication that considers the wider effects of architectural tourism.

Combining unprecedented technologies with traditional techniques, Lucy Johnston navigates the future of design.

Clarissa Bonet (b. 1986) is a Chicago-based artist whose work explores aspects of urbanness in both a physical and psychological context

A major retrospective offers audiences an unprecedented understanding of an artist whose vision has been shaped by accelerating worlds.

At Light’s Edge provides desolate views of American landscapes illuminated by eerie distress signals – messages coming from above or vice-versa.

The experimental landscape of Kate Bellm’s imagination is dreamlike and vivid, celebrating notions of youth, freedom and nature.

IWM North reflects upon the proceedings in the Syria. The four-part programme invites visitors to consider their association to the country.

International Center of Photography presents The Day the Music Died, British photographer Edmund Clark’s first solo museum exhibition in the US.

Lisson Gallery and The Vinyl Factory collaborate to present Everything At Once, a group exhibition condensing 50 years of artistic practice into one space.

Fotomuseum’s latest exhibition, Unwired, by Jacqueline Hassink, extends an interest in networks of global socioeconomic power in digital media.

Marguerite Humeau’s Echoes transfigure Tate Britain’s gallery space into a mesmerising yellow environment. that combines sound and sculpture.

Irene Scheinmann is an artist that ventures into digital worlds, combining bold, geometric forms with the open possibilities of technology.

Alex Da Corte’s BAD LAND transforms the architectural space of Josh Lilley Gallery, London, into a colourful three-dimensional film set.

The selection for 25-26 November investigates self-definition, uncovering what it means to be formed by experience, locale and popular culture.

Concertina is a collection of structures by Richard Wentworth and Apparata that explore the social potential of art spaces and transform the gallery.

SCOPE Miami Beach is recognised worldwide for its forward-thinking approach and focus on emerging practitioners and galleries.