Rust and Bone is a deeply affecting portrait of the gradual coming together of two wounded souls, driven by a brave central performance by Marion Cotillard.

Eugene Jarecki, director of Why We Fight, takes a fascinating, gritty look at the American criminal justice system.

Arriving on the art scene in the 1970s, Linder Sterling is known for her subversive collages combining the female figure with objects and nature.

The Harbourfront Centre in Toronto presents a collection of works from around the globe for World Stage, developing dialogues between cross-cultural performance.

The past five years have seen the music video evolve, resulting in stronger and stranger narratives than ever before.

Cambridge-based four-piece Alt-J spent 2012 scooping up the Mercury Prize, releasing their debut album and gaining plaudits from the music industry at large.

The latest documentary from Marc Isaacs explores universal themes of loss, belonging and the search for home through careful observation of one neighbourhood in North London.

In Scott Graham’s debut feature, a father and daughter coexist in isolation and a relationship marked by complexity.

Although its origins date back to 1996, Galería Rafael Pérez Hernando officially opened its doors in Madrid in 2004. It has since concentrated on promoting unknown or little-known artists.

Richard Wentworth presents an exhibition at the Lisson Gallery, London, from 30 January until 9 March. The British sculptor continually questions the way in which we approach the material world.

Young Gods is a multi-disciplinary presentation of London’s most exciting graduates from the summer of 2012. The exhibition takes place simultaneously across locations in west and east London.

Bloomberg Space hosts an experiential exhibition, distanced from the streets just beyond its walls. Glacier by Charles Atlas, uses a 360-degree projection to create an immersive environment.

The Ultimate Form is a live action response to Barbara Hepworth’s work. It is a collaboration between choreographer Kenneth Tindall, designer Pam Hogg, and composer Stuart McCallum.

Today, Frieze announced that its Projects programme of specially commissioned works will be realised at Frieze New York from 10 until 13 May and will present over 180 of the world’s leading galleries.

It might be considered to be a curatorial risk to combine the works of William Klein and Daidō Moriyama in two mellifluous exhibitions, as they are both important and vivacious artists of our time.

Tate Britain opens a new show on Kurt Schwitters. Opening on 30 January, the show focuses on his later works in Britain which began in 1940 when he arrived as a refugee until his death eight years later.

Aesthetica Art Prize artist Mary Humphrey’s Roma : Transylvania narrates the experiences that she encountered whilst photographing Roma families living on the outskirts of a Transylvanian village.

The London Art Fair ran for five days from 16 January until 20 January. Among this year’s participating galleries were The Fine Art Society, Charlie Smith London, and Union Gallery.

Pollen from Hazelnut is a constructed pollen field by Wolfgang Laib. Running at MoMA from 23 January, this work is Laib’s largest pollen-based installation to date, taking up a huge 18 by 21 feet.

We catch up with long-listed emerging Korean-American artist, Timothy Lee. Raised in New York City, his artistic practices have been heavily influenced by the imagery of cytology.