Interview with Artist Salvatore Arancio
Salvatore Arancio talks with Aesthetica about science and psychedelia in his solo show at Rowing Projects. The exhibition has been put into dialogue with Samara Scott’s cabinet room project Cd0xdsspi.
Salvatore Arancio talks with Aesthetica about science and psychedelia in his solo show at Rowing Projects. The exhibition has been put into dialogue with Samara Scott’s cabinet room project Cd0xdsspi.
Kunsthalle Basel’s calendar includes the first solo show by the Cuban artist Adrian Melis. In the centre of the work of the Havana-born artist are depictions of the socialist and capitalist economic system.
Air de Paris unveils their new exhibition C’est Wouf ! by M/M (Paris). Art as practised by M/M(Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.
Lottie Davies focuses her work on stories and personal histories, embracing the tales and myths society uses to construct life, and LA Noble Gallery present…
Pae White has created a maze of black, red, blue and purple threads which reach from and terminate into the gallery walls as endless and bewildering as the sleepless nights that conceived it.
Open End is the fourth exhibition in an ongoing series of presentations of film and video works from the Goetz Collection in Haus der Kunst. Featuring the work of 14 renowned international artists.
The online platform ART+ announces 180 of the most promising emerging artists at a critical moment, when they are poised to become established artists, chosen by 30 world-leading curators.
An international exhibition of photography, European Chronicles in Cardiff uses lens-based media to initiate debate about European social identities.
Transforming confiscated firearms into musical instruments and shovels, Mexican artist Pedro Reyes believes in the ability of art to change societies permanently.
With a sound blessed with beautiful melodies set amidst lush soundscapes, they have crafted their unique style with a loving attention to detail.
Vito Russo believed that he should be able to live his life as he chose, with a passion that eventually became politicised as his life, and those of his friends, became a struggle against injustice.
An insider’s guide for the modern art buyer, Collecting Art for Love, Money and More reveals the motivations and secrets of successful collectors.
Marczak brings free love to the fore in his new documentary F*ck For Forest, which follows a Berlin-based charity that believes that sex can change the world.
The hero is Cho Young-Chan, a deaf-blind South Korean man on the cusp of a sensory rebirth as he begins to escape from the isolation of his condition.
Examining both visual and literary Surrealism, this text explores in intricate detail how the movement embraced different avant-garde ideas and practices.
Love Crime is laden with too many easy clichés – not to say much too drawn out – to warrant fully the descriptions it has earned as “taut thriller” or “modern Noir”.
Named after a bar in Madrid, noted to be a haven for flamenco, Candela is strongest where it references tight, Spanish guitar-laden anguish.
College instantly demonstrates his ability to reproduce aspects of existence electronically, as his striking first notes echo a heartbeat gasping to live.
It can’t be denied that We Met at Sea is both unpredictable and full of life, driven by punchy guitars and melodies that will easily set feet tapping.
