In the House
Teacher Germain becomes drawn to charismatic pupil Claude who, in turn, is fascinated by fellow pupil Rapha and his “perfect family”.
Teacher Germain becomes drawn to charismatic pupil Claude who, in turn, is fascinated by fellow pupil Rapha and his “perfect family”.
The raging and pulsing cacophony that is How’s Your Low When You’re Low Alone may well be the most enthralling introduction to a debut album this year.
The Epstein reaches its sophomore album with a more experimental edge than its critically welcomed debut displayed.
Hailing from New Zealand, Surf City upholds its sturdy shoegaze, indie reputation, and breezily strolls through ample amounts of plodding melancholia.
Heavily overproduced lo-fi pop is the order of the day, as Pure Bathing Culture ambles through its debut release.
80s rockers The Woodentops release an all-encompassing retrospective collection of the highlights of their career to date.
The Essential Robert Indiana collates the artist’s significant body of work alongside text by Martin Krause, based on ongoing conversations with Indiana
Crystal Fighters’ second album is so blissfully executed that its infectious rhythms are bound to induce partying in a cave, field, beach or just about anywhere.
The DOCUMERICA Project began as an Environmental Protection Agency programme, and evolved into a striking historical document of the environmental problems and achievements of the 1970s.
Rodney Graham’s exhibition at Lisson Gallery, uncovers the sculptural and cinematic nature of his practice, and the continued influence of music, painting and film upon his work.
An innovative new exhibition at MOCA Los Angeles charts radical experimentation in southern Californian architecture since 1980.
Creating a distinct visual language of her own, Jasmina Cibic represents the Slovenian Pavilion at Venice this year with For our Economy and Culture.
Meet the musicians who hunt for sound outside the studio, creating radical new interpretations of what they discover.
James & Karla Murray photographed street after street of retail history in New York City, finding that the evolving shop windows transformed neighbourhoods.
A Field in England, the fourth feature film from british director Ben Wheatley, is a visceral experience; a psychedelic period drama that utterly immerses its audience.
Les Rencontres d’Arles’ 2013 presentation showcases an outstanding range of black and white photographs, with the main purpose of uncovering the talents of new artists working the field.
Sonny Smith is a man who can turn his writing talents to nearly every area, producing stories, songs and plays.
The Edinburgh International Film Festival searches for the world’s best emerging filmmakers, while also providing a rich platform for discussion.
Alfredo Jaar represents Chile at this year’s Venice Biennale. We speak with curator Madeleine Grynsztejn about Latin American art and Jaar’s Venezia, Venezia.
