Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.

Experimenting with analogue cameras to capture dreamlike, sun-dappled pictures of plants, petals and leaves that seem to drift in and out of sharp focus.

Environmental art, photography and sculpture come together in Gjert Rognli’s images, which are inspired by the shifting seasons across northern Norway.