Julia Keil’s self-portraits reference works from the worlds of film and fine art to express familiar experiences whilst living in global lockdown.
This article appears in full in Issue 95 of Aesthetica Magazine.
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Tom Spach’s book is aesthetically compelling, leaving readers to re-assess their emotions about intertwining concrete and plantlike.
One of the great institutions of art history in the 20th and 21st centuries, MoMA, is showcased in an exhibition at Fondation Louis Vuitton.
The Richard Learoyd exhibition at Fundación MAPFRE is a timely refuge from the constant flow of digital imagery in the outside world.