Susan A. Katz has been writing and loving poetry all her life. Her work has appeared in The American Scholar, The Kansas Quarterly, The Anthology of Magazine Verse and Yearbook of American Poetry.
Launching on 27 July, London’s canals will play host to film for 10 weeks as the Floating Cinema presents a variety of intimate on board screenings, large scale outdoor films for bank side audiences.
A garish pink sunset sky surrounds an arid nature spot. Curious creatures draw towards the watering hole, a central feature in the scene, for respite and perhaps a little socialising.
The Art Collective was originally launched to support and promote new and emerging artists. Working to help represent and showcase today’s top artists, the Art Collective has become a vital support system.
Familiar flower and mushroom images of the past are having somewhat of a renaissance. MdM Mönchsberg examines the clichés and levels of meaning and symbolism behind the natural products.
Focusing on what usually goes unseen, Mary subverts the conventional run of a film in a powerful and revealing act. Sara Brannan’s work is based around the appropriation and manipulation of films.
Meschac Gaba: Museum of Contemporary African Art seems to have a life of its own. Although the work is infused with Gaba’s presence, it nonetheless possesses an autonomy from authorship.
Visitors to The Hepworth Wakefield in West Yorkshire this weekend will have the opportunity to pick up a free copy of Aesthetica magazine with purchases of £10 or more, while stocks last.
Tate announces a partnership with Ernst & Young who will support the development of three major autumn exhibitions. The partnership will help to sustain the gallery’s ambitious programme.
The Instability of the Image takes up the task of analysing the idea of representation in contemporary art. Including works from eight practitioners, the show runs at Paradise Row.
Even in the modern age, 90 percent of the earth’s oceans still remain unexplored. Aquatopia examines how the ocean comes alive in human minds at Nottingham Contemporary this summer.
Just one step in through the door of Ayyam Gallery, the viewer finds themselves face-to-face with an uneven, grey surface. It is a model wall, built as a representation of the West Bank Barrier.
The Aesthetica Creative Writing Competition is open for entries. Now in its sixth year, the award offers existing and aspiring writers the chance to showcase their work to an international audience.
Originally from Coventry, Twinkle Troughton studied Fine Art at Kingston University and has lived and worked in London ever since. Twinkle’s work is inspired by current political issues.
Laura Pannack opens Young British Naturists at White Cloth Gallery. Exhibiting photos from a project that spanned three years, she gained access to the world of Britain’s naturists.
A new series of photographic works by Chloe Sells titled Moth’s Breath is currently on display at Michael Hoppen until 31 August . This exhibition marks the first solo show of Sells’ work at the gallery.
Paul McCarthy’s megalithic installation at the Park Avenue Armory is the magnum opus of one of the most prolific artists this century. Co-curated by Hans Ulrich Obrist, WS is McCarthy’s largest work yet.
Since 2010, British artist Giorgio Sadotti has been assembling THIS THIS MONSTER THIS THINGS, an exquisite corpse made from objects produced by 51 artist friends and acquaintances.
Sylvia Adams is author of a novel, a poetry collection, an award-winning chapbook and a children’s book. Her poem Water was the winning entry in the Creative Writing Competition’s Poetry category.
