Anne Nobels presents a deeply personal set of photographs rooted in nature, that encourages viewers to open up to embracing vulnerability.

Dutch artist Popel Coumou builds 3D rooms by layering and positioning geometric shapes that are hand-cut out of paper and cardboard.

Leading designer Thomas Heatherwick looks back across 150 key projects, demonstrating the importance of hands-on collaborations.

Guillaume Lavrut’s close-up compositions draw focus away from the busyness of everyday life, and towards the things we sometimes overlook.

In a world dominated by post-production and AI tools, abstract and cameraless photographic techniques offer a chance to return to the real.

Cody Cobb discusses his enigmatic approach to American landscape photography, considering his place within the genre’s changing narratives.

Texture and reflection replace visual cues, as Luc Holper blurs the borderlines that usually separate recognisable and imaginary scenes.

Based in Accra, Ghana, Carlos Idun-Tawiah is tapping into childhood memories and family photo albums to construct fictional narratives.

Site-specific sculpture and installation are used to push back against art’s commodification and reproduction in Cerith Wyn Evans’ latest exhibit.

Unnoticed moments are the subjects of Lotte Ekkel’s images, from single leaves to moonlit raindrops and eerie, lonesome tree branches.

Charting the role of mirrors in the history of art, from Renaissance paintings to the latest in photography and immersive installations.

Brendan George Ko’s portraits of friends, often bathed in light and shadow, meet high-quality, crisp close-up shots of foliage to set the scene.

Right now, Cao Fei is one of the biggest names in the art world. She is making multimedia work about technology and urban change in China.

Colour dances across onoko’s pages, forming complex, textured, impressionistic images that bleed into the paper like watercolour paintings.

Out in the landscape, Bootsy Holler harnesses the self-portraiture genre as a way to visualise and work through difficult, personal emotions.

A new architecture book shows what happens when we combine the human imagination with powerful digital tools to realise escapist ideas.

Fares Micue returns to Aesthetica with positivity and optimism, sharing a joyful outlook on life through a meticulous image-making process.

How do natural and artificial lights manipulate photo-sensitive media? Marta Djourina traces movements, gestures and objects onto paper.

A major exhibition at Tate Modern recounts how – in 1973 – Anthony McCall shook up the art world by stripping cinema back to its fundamentals.

Faces are obstructed and obscured by three dimensional shapes in Natalia Klimza’s body
of work, which plays with colours and forms.