People and landscapes blend into each another in Stephanie O’Connor’s rich body of work, which examines themes of imagination and belonging.

Greg White cites Berenice Abbott as inspiration for the Base Quantities still life series, visualising everything from electricity to mass and length.

The colour blue has long been associated with melancholy and sadness. Heather Evans Smith explores this feeling in a series of photographs.

Nature is the subject of choice for artist Sandra Bartocha, whose images traverse sun-dappled forests and meadows filled with rich plant life.

The enduring legacy of Aleksandra Kasuba, the late Lithuanian installation art pioneer, is examined by a major retrospective in France.

In Atlanta, world-leading Japanese creative Ryoji Ikeda is making large sets of data visible through his multilayered and audiovisual art experiences.

Tamara Dean’s flower-drenched images remind us that humans are neither separated from, nor superior to, the environment that surrounds us.

Nick Prideaux approaches taking pictures in a mindful way, catching fleeting and fragmented scenes as an ongoing thread of mini-vignettes.

Fresh lilacs are paired with zesty yellows, rich greens with blues and deep reds with tangerine orange in Teklan’s new interior design projects.

Anne Nobels presents a deeply personal set of photographs rooted in nature, that encourages viewers to open up to embracing vulnerability.

Dutch artist Popel Coumou builds 3D rooms by layering and positioning geometric shapes that are hand-cut out of paper and cardboard.

Leading designer Thomas Heatherwick looks back across 150 key projects, demonstrating the importance of hands-on collaborations.

Guillaume Lavrut’s close-up compositions draw focus away from the busyness of everyday life, and towards the things we sometimes overlook.

In a world dominated by post-production and AI tools, abstract and cameraless photographic techniques offer a chance to return to the real.

Cody Cobb discusses his enigmatic approach to American landscape photography, considering his place within the genre’s changing narratives.

Texture and reflection replace visual cues, as Luc Holper blurs the borderlines that usually separate recognisable and imaginary scenes.

Based in Accra, Ghana, Carlos Idun-Tawiah is tapping into childhood memories and family photo albums to construct fictional narratives.

Site-specific sculpture and installation are used to push back against art’s commodification and reproduction in Cerith Wyn Evans’ latest exhibit.

Unnoticed moments are the subjects of Lotte Ekkel’s images, from single leaves to moonlit raindrops and eerie, lonesome tree branches.

Charting the role of mirrors in the history of art, from Renaissance paintings to the latest in photography and immersive installations.