An-My Lê’s first museum survey opens in New York. It reflects on the artist’s personal experiences as a Vietnamese political refugee, whilst also exploring cycles of global history, politics and conflict.

In a show spanning 15 years, artist Doug Aitken demonstrates the dislocating yet connective power of technology and modern communication.

Zane Priede asks questions about how plant life might evolve. The result is a dystopia – where uncanny flowers and fruits mutate before our eyes.

Patterns and textiles are Alia Ali’s main motif; she’s best known for making portraits in which cloth is used to conceal and camouflage her subjects.

Aesthetica presents a list of must-see exhibitions from institutions including London’s Design Museum, the National Gallery of Scotland and Vitra.

Guest Editions publishes Laura Pannack’s Romanian-folktale-inspired photobook, ‘Youth Without Age and Life Without Death.’ We review the work here.

The High Museum of Art brings together a show that examines the complex and critical history of the American South’s culture, character and history.

Polish-born photographer Magda Biernat, who is based between New York and Paris, is interested in the oceans and how they connect to one another.

This year’s edition of Noorderlicht Photo brings together image-makers who explore ways we can improve society – both for people and the planet.

The festive period is approaching and, for many, winter is starting to unfold. Here are five shows that revel in the crisp, bright beauty of the season ahead.

Material culture tells the story of humankind. Here is a list of exhibitions about how design shapes our everyday lives, and can propose ideas for the future.

Aesthetica highlights 10 gift ideas perfect for arts and culture lovers this season – including photobooks, magazines and creative experiences.

Helen Cammock, Sunil Gupta and Heather Phillipson have teamed up to select this year’s Bloomberg New Contemporaries: 55 exciting fresh UK talents.

Pictures of coffee cups, mirrors, water jugs and headphones are each folded up and distorted into Jooeun Bae’s deeply personal montages.

Collage has a long history, spanning more than 100 years and seeing big change. Julie Cockburn is part of its contemporary story.

Andrea Torres Balaguer’s bold photographic portraits could be mistaken for oil paintings, rendered in garnet reds and emerald greens.

Rock formations, volcanic geology and verdant foliage are key to Tom Leighton’s photographs, which traverse holographic and gleaming pools.

Morgan Otagburuagu is standing up against colourism. He amplifies the beauty of darker skin tones with portraits of Black women pioneers.

At a time when it can be hard to decipher “real” from “artificial”, Reuben Wu shows us what it is possible to create on location, using light carrying drones.

Es Devlin explodes the status-quo, pushing artistic boundaries between literature, stage and set design in a major New York exhibition spanning 30 years.