Final Day of Art Basel Miami Beach
Today is the last day to get along to Art Basel Miami Beach. This Art Basel show presents premier artwork from across the globe. Over 250 of the world’s leading galleries participate.
Today is the last day to get along to Art Basel Miami Beach. This Art Basel show presents premier artwork from across the globe. Over 250 of the world’s leading galleries participate.
There’s still time to get along to Art Basel Miami Beach. As well as the stunning list of exhibitors, there are sectors allowing visitors to explore the many dimensions of Modern and contemporary art.
The second day of Art Basel Miami Beach is upon us and there are still hundreds of galleries to check out. Participants from Europe, North America, Latin America, Asia, and Africa make up the impressive list of exhibitors at this year’s event.
Exhibitions at Somerset House are always an event, vibrant and full of personality; Fashion Galore! continues along this thread, portraying the life of model, muse, designer and stylist Isabella Blow.
Siobhan Davies has worked as a dance artist and choreographer for over 40 years and her passion for movement and communication has lead to a long and varied career.
Classic art deco boulevards, long white beaches and a glitzy night life provide the backdrop to Art Basel Miami Beach. Art Basel, which began in 1970, is recognised as a premier international art fair.
Julian Schnabel’s confessed fear of death and suggestion that reality and truth may reside in things could account for the gigantic size and weight of the objects in The Brant Foundation Art Study Center exhibition Julian Schnabel.
Gered Mankowitz: Vintage Stones marks the 50th anniversary of the Rolling Stones’ formation and brings together over 1000 previously unseen vintage silver gelatin prints.
The comprehensive project América Latina 1960-2013 is a bright example of a discourse presentation in a frame of exhibition space. It aims to give a panorama of Latin American photography from 1960 up to today, and unites 72 artists from 11 countries.
The Catlin Guide 2014 will present the very best in Britain’s most talented new artists. The publication will be available to the public from January at this year’s London Art Fair.
The first major large-scale retrospective in Europe devoted to Photorealism surveys the genre’s development from the 1960s to today through works by Charles Bell, Audrey Flack, and others.
Influential photographer Paul Reas has documented the experiences of the working class. This project comes together in the international premiere of his first major retrospective at the Impressions Gallery.
Osborne Samuel displays the work of three of the UK’s leading contemporary photographers, each of whom use their medium to provide unique and powerful insights into the lives and traditions of various communities and individuals.
For the second time, the Michael Hoppen Gallery opens Splinter, a one-day art fair on 30 November. As before, the event will offer a wide range of 19th, 20th and 21st century photography.
The animalistic and savage creatures of MBE award-winning sculptor, Nicola Hicks, find their home at Flowers Gallery, New York. Full of a quiet expression, these towering straw and plaster figures set out to explore the nature of character.
The Uneventful Day brings together the unique and interconnected work of three young artists: Jim Woodall, Alexander Page and Luke Burton. The show examines humanities’ relationship with landscape and architecture.
Bob Dylan, known more so for his poetry, music and writing, began introducing his artwork to the world with an exhibition of his Drawn Blank Series in 2007 at the Kunstsammlungen in Chemnitz, Germany.
Alex Prager has spent the last 10 years constructing imagined scenes for her photographic work. Full of colour, tension and narrative, Prager’s images continue to play with the figure of the woman.
Traces marks the UK’s first retrospective of work by Ana Mendieta through a show of films, sculptures, photographs, drawings, personal writings and notebooks, and a slide-room.
