Saluting the work of Frisian author and poet Jan Slauerhoff, the 21st Noorderlicht International Photofestival highlights those who, dissatisfied with the status quo, think ‘outside the box,’ seek alternatives or create their own.
Bernd & Hilla Becher’s project to document the industrial landscape of post-war Europe, spread out over five decades, is timeless: photographs of monumental structures that bear no trace of current, past or future events.
A Road Through Shore Pine focuses on a new body of work by Robert Adams, a series of 18 never-before-seen photographs made in Nehalem Bay State Park, Oregon, in the autumn of 2013.
The Folkestone Triennial mobilises the past to bring contemporary art into public dialogue about a bright future. Lewis Biggs has curated site-specific works that range from experiments in relational aesthetics to proposals for regeneration.
Photo.clothing combines the fad of prints on t-shirts with art, to produce vibrant and unique items of clothing. The team have joined up with Magnum photographers Martin Parr and David Alan Harvey and created 500 t-shirts.
With his London debut, Berlin-based Australian artist James Reka explores the splendour of the dancing female form using fluid lines to create a hypnotic and dynamic movement. Until 5 October.
Degrees of Separation at Maddox Arts explores the legacy of the Modern Masters who were pioneering geometric abstraction and kinetic art in the 1950s and 1960s. The exhibition responds to the work of these influential artists.
From Nowt to Summat is a new installation by Aesthetica Art Prize finalist Deb Covell at mima from 18 September. The work has been produced as part of her Artist’s Open Studio event at mima and is accompanied by Absolute Zero.
International video art is celebrated in an exhibition at Birmingham Hippodrome and across the city this November. About Town is presented in partnership with Ikon and showcases a variety of free night-screenings by international artists.
This year, 55 artists join the assembly of Bloomberg New Contemporaries, chosen by the UK organisation which supports emergent art practice from British Art Schools. New Contemporaries provides a critical platform for recent graduates.
This September, Rashid Johnson’s critically acclaimed piece, Dutchman, will run at Chicago’s Red Square Russian and Turkish Baths for five evenings as part of Performa 10 Years.
In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the LCC to survey photography’s rising stars.
The Museum of Civilizations, presented by GM Architects at Venice Biennale of Architecture 2014, has been nominated for an award at The World Architecture Festival in Singapore.
The 20/21 British Art Fair opens today at the Royal College of Art, London. It is the only fair to specialise in Modern and Post-War art, but also features work up to the present day. From 10-14 September.
City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing images of urban decay and deprivation. The season engages with conversations around architecture, planning and globalisation.
Most air traffic between London and Sao Paolo this summer was one way, well at least until the England football team limped out of the World Cup against Costa Rica on 24 June.
This exhibition currently on display is the first survey of works by David Farrell since his death last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro and the Rolling Stones.
Spanning nine months and encompassing five decades of the artist’s oeuvre from 1969 to 2014, You Can’t Keep Acid in a Paper Bag at KNMA is an iconic exhibition for several reasons.
The 31st Bienal de São Paulo is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them.
