Invocations of the Blank Page @ Spike Island

Review by Regina Papachlimitzou The quietness and stillness you might generally associate with the blank page is challenged and eventually rejected in the artworks showcased…

Pragmatic Design: Pop Up Architecture

Review by Nathan Breeze Last summer, when struggling to find a job in London I stumbled across an intriguing advert online seeking volunteers to help…

An Unresolved Reminder of the Past: Thomas Houseago @ Modern Art Oxford

Review by Matt Swain Thomas Houseago is a British contemporary visual artist based in Los Angeles, California. What Went Down is his first major solo…

David Hockney: Bigger Trees Near Warter

Works by some of the most famous names in the world of art are coming to Yorkshire this year as part of a compelling programme…

The Mechanical Animal Corporation

Review by Regina Papachlimitzou The Mechanical Animal Corporation, a new Bristol-based theatre company dedicated to creating site-responsive theatre, have chosen an abandoned warehouse in the…

The Subversive Force of Images

Review by David Gunn, Director of www.theincidental.com “I didn’t want to be involved with the currency of images in any way … I was interested…

Rosemarie Trockel’s New Modes of Operation @ Talbot Rice, Edinburgh

Review by Colin Herd At the heart of this extensive survey of Rosemarie Trockel’s works on paper is a corner-wall of the central gallery devoted…

Kiki Smith on Nancy Spero – opening at The Serpentine, London in March

Opening on 3 March, The Serpentine Gallery presents the first major exhibition of Nancy Spero’s work since her death in 2009. Nancy Spero (1926–2009) was…

Technologically Augmented Theatre @ Tenderpixel

Preview by Bethany Rex Scapes opens next week at Tenderpixel in London. A new project part commissioned by Tenderpixel, Scapes is a new installation by…

Just an observation? Review – Duchy Gallery, Glasgow

Review by Alistair Q As you come off High Street and enter the beginnings of the bedraggled East End, across from a noisy new construction…

Gareth Cadwallader’s Tangible Reality

Review by Paul Hardman Window Paintings: Gareth Cadwallader The new Gareth Cadwallader exhibition at the Hannah Barry Gallery, Peckham gathers much of its resonance not…

Review: Gerard Byrne at MK Gallery

Review by Nicola Mann Case Study: Loch Ness (Some possibilities and problems), 2001-2011. Gerard Byrne grew up in Dublin in the 1970s. It was a…

Northern Art Prize- It’s not the winning…

Review by Bethany Rex The Northern Art Prize celebrates and rewards contemporary visual artists based in the North of England. Now in its 4th year…

London Art Fair 2011 – The Round-Up

Review by Bethany Rex Presenting over 100 galleries and featuring some exceptional contemporary work from leading figures and emerging talent, this year’s London Art Fair…

Filmmaker Series – Part 3 Q&A with Shaun Hughes

We continue our Q&A with the Aesthetica Short Film Competition winners with some insights from filmmaker Shaun Hughes. Shaun’s film, Mother, is an intense and…

Review: What Next For The Body at Arnolfini, Bristol

Review by Regina Papachlimitzou Unon entering What Next For The Body, you are greeted by a warm and comfy lounge, complete with inviting brocade sofa…

Review: Uamh/Cave – Gill Russell at the Royal Scottish Academy

Review by Colin Herd Every year, Sabhal Mòr Ostaig, the centre for Gaelic language and culture on the Isle of Skye, hosts an artist residency…

Review: Marcel Dinahet at Domobaal, London

Review by Emma Cummins In a world saturated with images; with photographs, films, videos and video art; Marcel Dinahet’s work is a welcome reprieve. Now…

Visual and Performance Art for All

Q&A with Alice Lobb, Gallery Programmer at artsdepot. Artsdepot an exciting and vibrant arts venue in North London, committed to providing a diverse range of…

Journey through the Afterlife: Ancient Egyptian Book of the Dead at the British Museum

Review by Robert J. Wallis & Tiffany Jow Dr Robert J. Wallis is Professor of Visual Culture and Director of the MA in Art History…