Bold Social Commentary
Cape Town-based artist Tony Gum pushes the boundaries of selfie culture, exploring tradition and heritage as well as mass-commercialisation.
Cape Town-based artist Tony Gum pushes the boundaries of selfie culture, exploring tradition and heritage as well as mass-commercialisation.
Elina Brotherus’ self-portraits are playful, poised and open to interpretation, surveying the image of the Rückenfigur – a figure seen from the back.
Our latest issue is a way to make sense of the present moment. Much of this magazine is about ever-changing landscapes: physical and virtual.
Our six-monthly view spans the globe, from the Wolfgang Tillmans retrospective in New York to a climate-conscious exhibition in Vienna.
Lightbulbs have completely transformed how we live, work and play. Here are five Aesthetica Art Prize finalists who play with light in the darkness.
Illusions, reflections and tricks of the light are entrancing. From mirrored sculptures to neon, these Aesthetica Art Prize finalists do exactly that.
“Life imitates art far more than art imitates life.” European Cultural Centre’s exhibition in Venice examines the world through this lens.
Herd immunity. Minimise the spread. Stockpile. Staycation. Quarantine. Bindi Vora’s photomontages explore the language of the Covid-19 pandemic.
Five Aesthetica Art Prize finalists have found inventive ways of turning information into something more: installations, photographs and sculptures.
Mónica Alcázar-Duarte – an Aesthetica Art Prize finalist – makes searing work about the embedded relationship between real-world and digital bias.
Lennart Brede’s portraits aim “to get a rare glimpse of what lies beneath the surface” – to reveal the raw and real behind our everyday existence.
France’s annual summer photography festival returns with a searing programme featuring more than 160 artists. Here are exhibitions to look out for.
“Photography preceded cinema, but does this imply that photography is the parent of cinema?” Here, five Aesthetica Art Prize finalists explore this question.
Memory, loss and family are central to Heather Evans Smith’s latest series, which is filled with visual metaphors surrounding the colour blue.
In 1992, a strange pine tree appeared in Denver, Colorado. Its goal: to remain as invisible as possible, camouflaging an antenna in plain sight.
“Technology is blamed for all manner of societal ills, but it’s what we do with this tool that matters.” Richard Mosse’s images are on show in Germany.
“Cyberpunk” is a sub-genre of science fiction featuring advanced technology. These stories inspired Austin Poon to begin creating 3D digital art.
Explore five exhibitions and events taking place in the UK and US, from photography shows and art tours to the launch of a brand new museum.
In the 1900s, popular culture imagined flying cars, robot assistants and artificial intelligence gone awry. Now, Getxophoto asks us: what happens next?
