The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists across the world.
The work of the late photographer Francesca Woodman is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences.
In 60th edition of Aesthetica we celebrated emerging photographers from LCC, highlighting those shaping the future of lens-based practice.
In 2010, David Chancellor won the Taylor Wessing National Portrait Prize with his iconic portrait of fourteen year old girl, Josie Slaughter, riding horseback with her trophy of a hunted dead buck.
The Marseillaise(s) / fifteen years of collecting focuses on the development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels.
Within the space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife.
Taking over the third floor of The Wapping Project Bankside’s Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today.
In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars.
This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. The exhibition is a representative survey of the formative years of Vienna Actionism.
Established in 2002, KIAF has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and invites visitors to see the best artists and institutions.
Including works which have never been exhibited as well as paintings, films, sculptures, notebooks, slide projections and photocopies from across five decades, Alibis: Sigmar Polke 1963-2010 will be the first exhibition to fully encompass the enormously varied range of materials with which Polke worked.
In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the LCC to survey photography’s rising stars.
The UK’s largest international photography festival returns for its sixth edition, filling venues and public spaces in Brighton & Hove and beyond with a series of remarkable collaborations. Communities, Collectives & Collaboration will present a series of projects which feature over 45 creatives.
Saluting the work of Frisian author and poet Jan Slauerhoff, the 21st Noorderlicht International Photofestival highlights those who, dissatisfied with the status quo, think ‘outside the box,’ seek alternatives or create their own.
Bernd & Hilla Becher’s project to document the industrial landscape of post-war Europe, spread out over five decades, is timeless: photographs of monumental structures that bear no trace of current, past or future events.
A Road Through Shore Pine focuses on a new body of work by Robert Adams, a series of 18 never-before-seen photographs made in Nehalem Bay State Park, Oregon, in the autumn of 2013.
The Folkestone Triennial mobilises the past to bring contemporary art into public dialogue about a bright future. Lewis Biggs has curated site-specific works that range from experiments in relational aesthetics to proposals for regeneration.
