Belgian Pavilion at Venice
The Belgian Pavilion at the 56th Venice Biennale will present the work of Vincent Meessen together with a series of carefully selected guest artists.
The Belgian Pavilion at the 56th Venice Biennale will present the work of Vincent Meessen together with a series of carefully selected guest artists.
Jason Covert was longlisted in the Aesthetica Art Prize with his work Excavation, a personal journey through one man’s fears. Based in New York, Covert’s practice spans a range of media.
Presented in three subdued rooms at the Art Gallery of Ontario, Toronto, Henryk Ross’ photographic collection reflects on life in the Lodz Jewish ghetto.
Jacqueline Hassink’s View, Kyoto, is a serene and powerful series of photographs depicting 34 of Kyoto’s Zen Buddhist temples and gardens.
Art Brussels returns for its 33rd year this April. Ahead of the opening, we speak to artistic director Katerina Gregos about her favourite parts of this year’s fair and her work with not-for-profit spaces.
The Arts Council of Wales has selected artist Helen Sear to represent Cymru yn Fenis / Wales in Venice at the 56th International Art Exhibition.
Yossi Michaeli’s captivating visuals tell stories. Staged in a multitude of locations, perfectly poised subjects become part of a cinematic narrative.
Guillaume Grasset’s series Angelino Heights, a haunting collection of images documenting the second-oldest district of California.
Astrid Verhoef’s photographs manipulate the appearance of reality and recontextualise normality, moving the familiar into an unfamiliar landscape.
Drawn to bold structures, Jürgen Schrepfer explores cityscapes with his camera, uncovering moments of artistic beauty in the modern metropolis.
Norwegian photographer Anja Niemi’s latest series, Darlene & Me (2014), is a complex and striking investigation into the perception of the self.
Photographs of Black British Experience 1950s-1990s features more than 50 photographs recently acquired from the Black Cultural Archives.
We Speak to Dr Duncan Forbes about photographic culture in the digital age and Fotomuseum Winterthur’s new exhibition format, SITUATIONS.
This year Art Paris Art Fair demonstrated how inventive and abundant the art scene in Asia still is with Galerie Géraldine Banier’s presentation of work by Korean Jung Min Choi and Francesca Gagliardi.
The National Pavilion for the Republic of Armenia opens at the Venice Biennale in May. Armenia will focus on the curatorial concept of Armenity and reflect on the centenary of the Armenian Genocide.
British-born Cig Harvey, now a resident of Maine and a full-time artist, uses photography to reveal the complexities underlying everyday life and our relationships with family and friends.
In 2011 Haunch of Venison showcased a collection of work by director and photographer, Wim Wenders. Featured in Aesthetica Issue 40, the show highlighted the artist’s distinctive style and imagery.
HOME is an international centre for contemporary visual arts, theatre and film, whose opening programme features international collaborations.
This spring, a series of free lunchtime talks from leading art figures including curators and artists will run alongside the Aesthetica Art Prize Exhibition.
