Historic Exposures
“I chose to use photography as a time machine.” A new exhibition tracks Hiroshi Sugimoto’s interest in the ancient past.
“I chose to use photography as a time machine.” A new exhibition tracks Hiroshi Sugimoto’s interest in the ancient past.
Peter Brown and Joe Holley’s book, Hometown Texas, explores the landscape and inhabitants of the vast region.
Holden Luntz Gallery’s Constructed Space exhibition features the work of Aesthetica Art Prize alumnus André Lichtenberg.
Around 95 million images are shared on Instagram daily. Shows running 17-18 February examine photography’s revolutionary potential.
As part of Duesseldorf Photo Weekend, Lausberg Contemporary foregrounds work by David Burdeny, who captures sublime landscapes.
The creative landscape is constantly expanding to welcome new approaches. The Armory Show offers opportunities for dialogue and discovery.
Scottish photographer Albert Watson is known for a bold oeuvre comprising striking fashion and commercial images.
Watching You, Watching Me at BOZAR, Brussels, explores the intersection between public and private realms.
At the age of 21, Jacob Riis arrived in New York, becoming preoccupied with documenting and improving living conditions.
New work by Marietta Varga, part of our #newartists initiative on Instagram, recalls nostalgic moments from childhood.
United Photo Industries, Brooklyn, foregrounds work by Aesthetica Art Prize alumnus Claire Rosen, offering a twist on classical painting.
Kunsthalle Krems foregrounds photographic work by Axel Hütte, offering dialogues between the artist’s older and more recent contributions.
Zanele Muholi’s Somnyama Ngonyama questions the politics of race and representation through a series of bold, self-referential portraits.
Championing new artistic voices is increasingly important. The Foam Paul Huf Award celebrates emerging talent within the photographic realm.
Finding beauty in simplicity, Branko Goncalves finds inspiration within the digital realm and building upon everyday image-making as a reflective medium.
Anna Lehmann-Brauns’ seemingly staged compositions, devoid of human presence, bridge the divide between reality and fiction.
During a five year period spent travelling across Germany, Peter Bialobrzeski captured around 30,000 photographs.
Beetles + Huxley, London, surveys French photographer Valérie Belin’s continued engagement with the female form.
Work by female practitioners makes up 3–5% of major collections. NMWA raises awareness through the #5womenartists campaign.
