Salar de Uyuni, Bolivia, is the world’s largest salt flat. This exceptional environment forms the backdrop for Scarlett Hooft Graafland’s images.

Howard Greenberg Gallery, New York, foregrounds moments of American history and culture through Steve Schapiro’s oeuvre

A site-specific, immersive installation by iconic artist Barbara Kruger occupies the entirety of Sprüth Magers’ main exhibition space.

Andreas Gursky’s series records the artist’s interest in environmental issues, reflecting the tragic beauty of the world’s waterways .

The Center for Photography at Woodstock explores the state of the human condition through the work of eighteen practitioners.

The role of the art institution is evolving. Art Fund’s Museum of the Year seeks out innovation, celebrating galleries across the UK.

Practitioners from Taiwan explore the lasting effects of authoritarianism, social ideology, environmental disaster and international politics.

Viviane Sassen’s series, Roxane II, documents the intimate reciprocal relationship between the photographer and her muse.

To portray the complexities of daily life, Cig Harvey creates intimate portraits of family members and close friends.

Through aerial photography, Jeffrey Milstein draws a unique portrait of New York and Los Angeles.

Approximately 3.8 billion people use the internet worldwide. ICA Boston investigates the influence of the web on visual art and society.

Joel Meyerowitz transformed the genre of street photography through a pioneering and striking use of colour.

Andreas Gefeller’s intentionally overexposed and abstracted compositions transform organic forms into something almost virtual

75 works by William Eggleston, a pioneer of modern colour photography, are displayed The Metropolitan Museum of Art, New York.

Exhibitions running 9-10 December respond to the immediate environment, documenting urban, natural and individual landscapes.

Paul Kasmin Gallery displays a series of Tina Barney’s works that capture the natural and urban landscapes of New England.

The second and final part of Eddo Hartmann’s photographic investigation into life in North Korea opens at Huis Marseille​.

Magnum Retold asks contemporary photographers to respond to iconic documentary series from the agency’s archives.

Aperture Foundation Portfolio Prize winner Natalie Krick’s practice questions the notion of a fixed identity.

An exhibition of Axel Hütte’s early work tracks his restrained creative practice and interest in architectural forms, spanning 1978-1995.