Seen Anew
Artists from La Gacilly-Baden Photo Festival show us the world through a new lens – from the Russian Arctic to fire-ravaged Butte County, California.
Artists from La Gacilly-Baden Photo Festival show us the world through a new lens – from the Russian Arctic to fire-ravaged Butte County, California.
How do natural and artificial lights manipulate photo-sensitive media? Marta Djourina traces movements, gestures and objects onto paper.
A major exhibition at Tate Modern recounts how – in 1973 – Anthony McCall shook up the art world by stripping cinema back to its fundamentals.
Faces are obstructed and obscured by three dimensional shapes in Natalia Klimza’s body
of work, which plays with colours and forms.
French visual artist Maia Flore has cultivated a reputation from constructing dreamworlds where figures fly, balance and bend – bringing magic to life.
Laure Winants, an interdisciplinary artist and researcher, studies Arctic sea ice – presenting thousands of years’ history in a single frame.
Artists, scientists and activists champion the iconic Joshua tree in a rallying cry for much wider environmental and cultural awareness.
Giuseppe Lo Schiavo makes simulated views driven by the psychology that’s behind how
we interpret what is, or isn’t, a real landscape.
This issue celebrates humanity’s creative impulse, exploring the power of interdisciplinary making with Shigeru Ban, Anthony McCall, Maia Flore and more.
Svante Gullichsen positions himself amidst the vast forces of nature, reflecting on selfcare and acceptance through his portraits.
Shigeru Ban, a Pritzker Prize-winning architect, speaks about his new book, charting a notable career marked by innovation and compassion.
French-American photographer Karine Laval visits gardens across Europe and the USA to produce hallucinatory views of their green plants and trees.
Sin Wai Kin talks to us about their ‘Essence’ project, which addresses fantasies sold by brands that suggest happiness and fulfilment can be bought.
Richard Misrach finds hope in capturing the human spirit in harmony with the natural world. His latest series is imbued with a distinct sense of optimism.
Hayward Gallery presents the first mid-career survey of Tavares Strachan, featuring monumental sculptural commissions alongside large-scale works.
Bruges is a UNESCO World Heritage Site. But it is also a key destination for contemporary art, as the city’s 2024 Triennial establishes in clear terms.
Human.Kind. is an important publication, sharing the work of 30 Prix Pictet photographers who compassionately engage with humanitarian issues.
Harewood House’s 2024 Biennial ‘Create/Elevate’ foregrounds the artists and collectives using craft to pass down knowledge to future generations.
We speak to photographer Laura Chen, whose work is part of a group show at Impressions Gallery that asks us to critically reconsider the archives.
