Artists have long sought inspiration in found photos. We consider the ethical implications of collage in an age of visual abundance.

Benoit Paillé’s hyperreal image series demonstrates how photography doesn’t, in fact, capture reality, but is an active creator of reality.

Thandiwe Muriu’s has been widely lauded for her distinctive style: clean, crisp and elegant, demonstrating the skill and vision of a rising star.

Signs and Symbols: Issue 102 considers the difference between “looking” and “seeing” –
how we view ourselves and the world around us.

This is creative team Tugalobster. Jessica is from Leiria, Portugal, and is the one who draws everything. Liam is the one who writes everything.

Daisy Grange’s project revolves around our primal need as humans: for physical touch. The artist investigated why we crave or despise it.

Amelia Coutts has created a zine which explores the unique relationships we have had with gardens, and how this has changed over time.

Melanie Ayres’ prosthetics achieve suspension of disbelief, which is needed for the characters to feel realistic and effectively capture imaginations.

Ellen Winhammar has produced a children’s picture book about two frogs: Malley, the friendly protagonist, and his grumpy friend Lelou.

Melanie Moore is a Hair and Makeup graduate, BA(Hons) at Bucks New University & Pinewood Studios. The artist specialises in the film industry.

Kirsten Walker’s garments and fashion show investigate the naked female body, focusing on how it is both sexualised and censored.

Sustainable clothing shop, Switch, shows audiences that shopping second-hand doesn’t have to be dreary or difficult, and helps save our planet.

Rebecca Cochran’s final major project is about female inequality in the gaming industry. Glitch Awards focuses on inclusivity and diversity.

Emma Pearson’s project was based around the ADHD brain and overstimulation, exploring the less commonly spoken about symptoms.

Not only has Bucks showed the artist how to find a place in the creative industry, it has given Charlotte Frankel the tools to create a unique ad.

Brand identity interests Harrison Holt, a designer who has always had an urge to help people. Holt is looking toward future projects and collaborations.

Cleo Sloggett’s project is based upon the experimental testing and manipulation of fabrics: stretching, shrinking, ripping, sewing and burning.

Eleanor Elson takes a deep dive into salt – exploring in its physical forms, as well as its chemical properties, to ask questions about value.

Lucy Hazell develops garments inspired by Brutalist architecture and nature, combining organic forms with manmade structures.

Giesle and Katie are a Creative Advertising duo whose work is a mixed pot of different ideas – showcasing their skills across all kinds of brands.