The main room of South London Gallery is entirely taken up by Birnbaum’s Arabesque. Before even entering the room, the flowing piano of Robert Schumann’s composition Arabesque Opus 18 reaches out to draw one into the space.
Taking its place in Chapter’s 2011 roll call directly after Resident, WITH Collective’s über-conceptual Autumn show, Paloma Varga Weisz’s solo outing at the Cardiff gallery is a difficult one to approach.
Since their original publication in 1865, Alice in Wonderland and Through the Looking Glass have had an unprecedented influence on the visual arts.
When Mario Testino announced Glasgow-based Martin Boyce as the winner of this year’s Turner Prize at the Baltic last Monday night, he accepted the award with modesty to the point of bashfulness.
The Craft Council celebrates 40 years of the Crafts Council Collection with a major online show 40:40 – forty objects for forty years that launches today.
At Aesthetica we encourage creativity and innovation, fostering artists and writers through the Aesthetica Creative Works Competition. This year’s competition saw a fantastic response.
This December Coldharbour London Gallery will be exhibiting The Day The Factory Died, a collection of never-before published photos by acclaimed fashion photographer Christophe Von Hohenberg.
This year’s August/September issue featured the work of Lara Jade, a fashion, portraiture and commercial photographer who has worked with brands such as Sony and magazines such as Elle.
The Bloomberg New Contemporaries has long presented art lovers with an annual snapshot of emerging talent from the next generation of artists in the UK. The first exhibition was held in 1949.
In her explorations of representation and social status, Sarah Baker often disseminates her artwork unconventionally to heighten the tension between fabrication and authenticity.
The Turner Prize will be awarded at BALTIC Centre for Contemporary Art later this evening, during a live broadcast on Channel 4, to an artist under 50, born, living or working in Britain.
The Icelandic ash cloud of 2010 brought many parts of the world to a halt, and showed international societies just how fragile our technological networks really are, despite advanced machinery.
Brooklyn quintet Milagres’ debut album bursts into life with more than a hint of Human League style 1980s electropop in rousing opener Halfway.
The Pompidou Centre stages a new exhibition detailing the place of dance in art history and its influence on visual arts.
You won’t find a more powerful piece of Americana than the title track on First Aid Kit’s new album. The Lions Roar is immense; dark skies over the open prairie.
It would be impossible to call the music of Hyperpotamus derivative, and you won’t have ever heard an album like Delta.
For listeners who are familar with this DJ and producer’s secret performances at festivals, this record is a disco-pulsed trip down memory lane.
Tel Aviv Museum of Art is that rarest of institutions: an art gallery with a political legacy. The original building was the former home of the first mayor of Tel Aviv, who bequeathed the property in his will.
There are unseen lines that cross the earth, lines that make little concession to land or water but are owed and owing to both, through industry and habitation.
