Elevated Practice
Through aerial photography, Jeffrey Milstein draws a unique portrait of New York and Los Angeles.
Through aerial photography, Jeffrey Milstein draws a unique portrait of New York and Los Angeles.
By using a singular material, Tara Donovan’s innovative sculptural pieces foreground the physical characteristics of everyday objects.
Ikuru Kuwadjima’s photobook, I, Oblomov, uncovers a strange state of inertia and lethargy that defines the contemporary condition.
Fariba Farshad, founding director of Photo London, reflects on the significance of the solo show in the digital age.
Shedding light on the state of post-war America, Robert Frank’s images draw a striking portrait of the nation at a pivotal moment in history.
A new publication by Hatje Cantz focuses on Finnish photographer Ola Kolehmainen, capturing space and light in places of worship.
Approximately 3.8 billion people use the internet worldwide. ICA Boston investigates the influence of the web on visual art and society.
Joel Meyerowitz transformed the genre of street photography through a pioneering and striking use of colour.
Andreas Gefeller’s intentionally overexposed and abstracted compositions transform organic forms into something almost virtual
75 works by William Eggleston, a pioneer of modern colour photography, are displayed The Metropolitan Museum of Art, New York.
MAXXI Museum, Rome, honours visionary architect Zaha Hadid with an exhibition foregrounding her relationship with Italy.
Exhibitions running 9-10 December respond to the immediate environment, documenting urban, natural and individual landscapes.
Paul Kasmin Gallery displays a series of Tina Barney’s works that capture the natural and urban landscapes of New England.
Lise Sarfati’s images capture the act of wandering, set against the architectural backdrop of downtown Los Angeles.
The second and final part of Eddo Hartmann’s photographic investigation into life in North Korea opens at Huis Marseille.
Magnum Retold asks contemporary photographers to respond to iconic documentary series from the agency’s archives.
Aperture Foundation Portfolio Prize winner Natalie Krick’s practice questions the notion of a fixed identity.
An exhibition of Axel Hütte’s early work tracks his restrained creative practice and interest in architectural forms, spanning 1978-1995.
Nicolas Dhervillers’ cinematic Detachment series offers the Anabaptist Amish community a new narrative.
