Aesthetica Issue 83 Available Now
The June / July edition of Aesthetica is available now. Issue 83, A New Way of Seeing, considers the intersection between the created and the real.
The June / July edition of Aesthetica is available now. Issue 83, A New Way of Seeing, considers the intersection between the created and the real.
Erica Nyholm’s body of work explores familial relationships, reflecting on defining moments from a female perspective.
Between Art & Fashion: Photographs from the Collection of Carla Sozzani offers dialogues about the authenticity and autonomy of images.
Technological advances have altered our conception of space. James Turrell questions notions of materiality and physical location.
For Joachim Hildebrand’s latest series, he travelled through the seven states of the American southwest – a visual journey through myth and reality.
Marking a departure from self representation, new works by Elina Brotherus offer a playful, performative approach inspired by Fluxus.
Works by Erwin Olaf address social issues, taboos and conventions through a highly curated approach, offering stylised visuals.
Victor Micoud’s La Cité Idéale focuses on the surroundings of Disneyland Paris, capturing the essence of this surreal neighbourhood.
Translating personal experiences into hyperreal images, the renowned photographer Alex Prager is celebrated through a mid-career survey.
Using repeated patterns including colour, material and texture, Jon Setter organises details of landscapes as an abstracted expression of space.
Carolina Mizrahi is an art director, photographer and set designer whose cross-disciplinary practice traverses a line between fine art and commerce.
Melancholy and, at times, tied to a Romantic sensibility, Isabella Ståhl’s images communicate the desire to return to the notion of home.
A vision of the future, Evelyn Bencicova’s series Artificial Tears assesses what it means to exist within today’s increasingly factitious world.
Michelle Cho & June Kim’s collaborative series look into the ideas of relativity in the everyday, inspired by vivid and structurally expansive architecture.
Ole Marius Joergensen creates narratives around the themes of identity, using empty topographies as spectres of unidentifiable emotions.
Accessibility, sustainability and humanity take centre stage at Venice Biennale, pushing the literal and figurative boundaries of space.
Interactive garments transform our relationship with fashion and the environment as sustainability is linked with the individual experience.
Elena Mora offers an intriguing perspective on how set design can create an interdisciplinary stage for idea creation and collective aspiration.
Inge Morath traversed the globe as a travel, portrait and reportage photographer, joining Magnum Photos in 1956.
