Daisy Grange’s project revolves around our primal need as humans: for physical touch. The artist investigated why we crave or despise it.

Lydia Edmonds’ niche lies with hairstyling and wigs, with a favourite look of 1920s finger waves. This project is based on Victorian children’s toys.

Sarah Creasey combines a range of physical procedures, such as painting and collage, plus working with digital software programmes.