Grégoire A. Meyer’s digital constructions reflect on life post-2020. Here, the iconography of the dove refers to a fictional environment that’s not been affected by the virus; the astronaut alludes to an inner status: an individual that hasn’t influenced by an outside crisis. Here, their life paths start to change. Meyer’s images invite the audience to jump into the depths of allegory, and consider this critical juncture as a possible turning point: for their lives and choices within this. As a whole, Meyer creates illustrations that examine the body in its extraordinary simplicity as a biological, digital and aesthetic organism that coheres with its surroundings.