CJ Taylor’s work occupies the intersection between time, history, memory and fictive realities. The images question the myth of photography as a static stage, allowing hyperreal fictions to play out their infinite possibilities. The use of randomly-generated sequences means each experience of video work The Hut (5/4) is unique.
Scenes from The Hut (5/4), 2017. 2.5D photo-cinema HD video in 21:9 aspect ratio.
