Chloe Hey’s practice is interested in themes of identity, female representation and consumerism. The featured image, Ricky’s Girl, from Both Sides of the Glass: Searching For Our Future Selves, explores notions of the male gaze, the female display, self-objectification, beauty ideals and their relationship to the strange dreamscape of commercialism.
Ricky’s Girl, 2017, from the series Both Sides of the Glass: Searching For Our Future Selves, 2017. 79.7cm x 82.8cm.
