Known for their unique use of light, Matthew Rolston’s images transcend their time periods, looking simultaneously backwards and forwards.

Wuales’ innovative approach to capturing the human form transforms the body in unexpected ways, offering new dialogues.

The NGV Triennial provides a platform for innovative practitioners, foregrounding those who engage with new technologies.

Dazera brings innovative fine jewellers together both online and in exhibitions. Founder Domini Hogg discusses the 2017 exhibition.

Marianna Rothen’s Shadows in Paradise explores notions of selfhood and the gaze in a utopian dreamworld.

Amélie Labourdette captures unfinished concrete structures, questioning notions of human history and territories.

Uniting a gap of 50 years, Magnum Print Room draws a portrait of America through the medium of monochromatic photography.

Luciana Pampalone’s black and white images evoke a sense of playful nostalgia, transforming The Peconic Bay, New York, into a 1930s setting.

Schweizerisches Architekturmuseum explores the rich architectural scene of Bangladesh, bringing together over 60 projects.

Hans Kotter’s sculptural investigations, on display at Patrick Heide Contemporary Art, explore notions of light, colour and space.

Monica Alcazar-Duarte’s The New Colonists, winner of the Bar Tur Photobook Award, presents an otherworldly quotidian.

Glenstone Museum’s extension will continue the gallery’s aim to seamlessly blend its structure into the natural landscape.

Tamara Piilola paints large canvases that depict imaginary landscapes. We speak with the Finnish artist about the inspiration and process behind her work.

Fostering new talent, Photo Vogue Festival creates an arena within which a new generation of photographers are able to develop.

The selection for 18-19 November delves into the concept of the every day, illuminating aspects of the quotidian in unexpected ways.

Spanning six decades and a variety of locales, and exhibition takes Raymond Depardon’s working relationship with colour as its focus.

Uwe Langmann’s serene yet uncanny compositions feature abstracted architectural forms that emerge from featureless backdrops.

Yayoi Kusama’s simultaneously hypnotic and disorientating Infinity Mirror Rooms explore notions of endless, repetitive space.

Gabriela Torres Ruiz captures the phenomenon of silence through a juxtaposition of landscapes and deserted structures.

Creating three-dimensional illusions with light, the works of Anthony McCall play with notions of materiality and space.