Moment Suspended
Brooke DiDonato’s images stretch the boundaries of what is possible, asking us to look at domestic settings, landscapes and everyday objects again.
Brooke DiDonato’s images stretch the boundaries of what is possible, asking us to look at domestic settings, landscapes and everyday objects again.
Ingrid Weyland harnesses scrunched-up paper as a metaphor for humanity’s impact on nature, overlaying forest scenes with twisted print-outs.
Jordan Diomandé shows a masterful command of natural lighting, shooting at golden hour to capture sunlit reflections and dramatic shadows.
The imaginative contemporary photography of Dublin-based Sarah Doyle plays with shapes and colours, to offer up a joyful viewing experience.
Cig Harvey engages all five of our senses, with pictures that bring together bright floral motifs, domestic interiors and figures in the landscape.
Klaus Vedfelt’s Elevate is an invitation to occupy open horizons, where dancers and acrobats rise and fall, jump and fly, against bright blue skies.
In Andoni Beristain’s hands, the camera becomes a tool for remembrance and healing, honouring love and loss through 63 symbolic compositions.
Charting one artist’s journey from Florida, all the way to Maine, whilst examining the US landscape, as a site of mythmaking, nostalgia, fracture and longing.
Blue tones, dark contrasts and buildings are the hallmarks of Marco Wilm’s visual style, finding symmetry and balance within busy cityscapes.
Staged scenes from Margeaux Walter are built on location, taking everyday household objects out of their usual context to create an uncanny effect.
A year in the Sonoran Desert is charted through billions of captured data points, illuminating the beauty and fragility of a well-known landscape.
Lachlan Turczan, one of this year’s Lumen Prize finalists, experiments with natural phenomena in order to shape multisensory installation artwork.
Albarrán Cabrera’s photographs traverse luscious, light-drenched forests and lakes, where sunbeams dapple through tree branches and over the water.
Marine Lanier’s Le Jardin d’Hannibal series is set in one of Europe’s highest botanical gardens, home to a variety of plants from the largest mountains.
Cristina Spagnolo showcases crisp photographic portraits and nature images inspired by the light, detail and form of art from the 1500s and 1600s.
Tommy Goguely’s glitch-like abstractions emerge via a process of damaging camera sensors, where colours smear, crack and split across every page.
Architecture is Satijn Panyigay’s subject of choice, creating brooding depictions of empty buildings and cinematically-lit homes under construction.
In Vienna, a major Brigitte Kowanz retrospective reflects on society’s rapid virtualisation, as well as the transformative impact of the information age.
Brazilian photographer Gleeson Paulino, who is a part of this year’s PhotoVogue Festival, discusses what drives his innovation and creativity forwards.
