Playful Disruption
Staged scenes from Margeaux Walter are built on location, taking everyday household objects out of their usual context to create an uncanny effect.
Staged scenes from Margeaux Walter are built on location, taking everyday household objects out of their usual context to create an uncanny effect.
A year in the Sonoran Desert is charted through billions of captured data points, illuminating the beauty and fragility of a well-known landscape.
Lachlan Turczan, one of this year’s Lumen Prize finalists, experiments with natural phenomena in order to shape multisensory installation artwork.
Albarrán Cabrera’s photographs traverse luscious, light-drenched forests and lakes, where sunbeams dapple through tree branches and over the water.
Marine Lanier’s Le Jardin d’Hannibal series is set in one of Europe’s highest botanical gardens, home to a variety of plants from the largest mountains.
Cristina Spagnolo showcases crisp photographic portraits and nature images inspired by the light, detail and form of art from the 1500s and 1600s.
Tommy Goguely’s glitch-like abstractions emerge via a process of damaging camera sensors, where colours smear, crack and split across every page.
Architecture is Satijn Panyigay’s subject of choice, creating brooding depictions of empty buildings and cinematically-lit homes under construction.
In Vienna, a major Brigitte Kowanz retrospective reflects on society’s rapid virtualisation, as well as the transformative impact of the information age.
Brazilian photographer Gleeson Paulino, who is a part of this year’s PhotoVogue Festival, discusses what drives his innovation and creativity forwards.
Martin Levêque is deeply influenced by the long history of modernist photography, building crisp, colourful sculptures out of cardboard and metal.
People and landscapes blend into each another in Stephanie O’Connor’s rich body of work, which examines themes of imagination and belonging.
Greg White cites Berenice Abbott as inspiration for the Base Quantities still life series, visualising everything from electricity to mass and length.
The colour blue has long been associated with melancholy and sadness. Heather Evans Smith explores this feeling in a series of photographs.
Nature is the subject of choice for artist Sandra Bartocha, whose images traverse sun-dappled forests and meadows filled with rich plant life.
The enduring legacy of Aleksandra Kasuba, the late Lithuanian installation art pioneer, is examined by a major retrospective in France.
In Atlanta, world-leading Japanese creative Ryoji Ikeda is making large sets of data visible through his multilayered and audiovisual art experiences.
Tamara Dean’s flower-drenched images remind us that humans are neither separated from, nor superior to, the environment that surrounds us.
Nick Prideaux approaches taking pictures in a mindful way, catching fleeting and fragmented scenes as an ongoing thread of mini-vignettes.
