Moments of Nostalgia
Based in Accra, Ghana, Carlos Idun-Tawiah is tapping into childhood memories and family photo albums to construct fictional narratives.
Creativity is the heartbeat of our world. It sparks innovation and it is the force that drives change. Yet, it does not exist in isolation and thrives in the spaces between us – those serendipitous encounters and the brave intersections where different perspectives converge. When we open our minds to unexpected collaborations, we allow ourselves to be surprised, challenged and transformed by the ideas of others.
This issue celebrates the power of collaboration by embracing ideation – not as a solitary pursuit, but as a shared journey. Cerith Wyn Evans’ new show Borrowed Light Through Metz, brings together light and sound work to create a visual and aural effect. For nearly 40 years, the artist has explored the limits of perception, and, in the process, called into question the conventions of exhibition-making. Next, we speak with Michael Petry about MirrorMirror, which looks at the ways contemporary artists engage with the concept of identity and self-representation. The book features international artists, including Cindy Sherman, Gillian Wearing, Yayoi Kusama, Zanele Muholi amongst others. Through photography, video, performance and other media, these artists survey issues such as race, gender and technology, reflecting on how the self is constructed, manipulated and perceived in today’s society.
We see the transformative power of imagined architecture in Gestalten’s Living In a Dream, which contemplates the world of artificial design. Next, we speak with curators from Cao Fei’s My City is Yours, which is an invitation into a world of neon, street dance and pop music. Designed by Cao and the Beau Architects of Hong Kong, the exhibition takes the form of an immersive cityscape. It’s a space of play, interaction and reinvention.
In photography we are given access to new worlds through experiments in narrative and form via the work of Bootsy Holler, Brendan George Ko, Carlos Idun-Tawiah, Lotte Ekkel and Onoko, plus our cover photographer Fares Micue. Finally, the Last Words go to Aisha Olamide Seriki at Brighton Photo Fringe.
Cherie Federico
Based in Accra, Ghana, Carlos Idun-Tawiah is tapping into childhood memories and family photo albums to construct fictional narratives.
Site-specific sculpture and installation are used to push back against art’s commodification and reproduction in Cerith Wyn Evans’ latest exhibit.
Unnoticed moments are the subjects of Lotte Ekkel’s images, from single leaves to moonlit raindrops and eerie, lonesome tree branches.
Charting the role of mirrors in the history of art, from Renaissance paintings to the latest in photography and immersive installations.
Brendan George Ko’s portraits of friends, often bathed in light and shadow, meet high-quality, crisp close-up shots of foliage to set the scene.
Right now, Cao Fei is one of the biggest names in the art world. She is making multimedia work about technology and urban change in China.
Colour dances across onoko’s pages, forming complex, textured, impressionistic images that bleed into the paper like watercolour paintings.
Out in the landscape, Bootsy Holler harnesses the self-portraiture genre as a way to visualise and work through difficult, personal emotions.
A new architecture book shows what happens when we combine the human imagination with powerful digital tools to realise escapist ideas.