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Aesthetica Film Festival’s Radical Listening, with Audible, features three brand new commissions by Steve Messam, Being Now Here and Squidsoup.
MIT Museum blends contemporary art with science and history to explore how technologies, senses, and media co-evolve to bring the oceans into clear view.
Leonard Pongo has spent the past 10 years travelling the Democratic Republic of Congo, creating work inspired by its traditions, mythologies and culture.
Cécile Lobert’s paintings emerge from a rapid-fire process, characterised by spontaneity, with each mark reflecting a raw emotional response.
Rizzoli publishes definitive monograph on the internationally acclaimed photographer turned Hollywood filmmaker, spotlighting her portraits.
The exhibition explores memory, grief, justice and the voices of Black and immigrant Britons affected by deaths following police contact since 1969.
YSP presents five bronzes in its historic 18th century Formal Garden, bringing together works by artists exploring metamorphosis, mythology and the body.
Arnolfini’s landmark show brings together more than 150 of Gregory’s photographs, films, installations and mixed-media artworks spanning over four decades.
The 70th BFI London Film Festival asks what a film festival can become when the screen is no longer a fixed surface but a space to enter, navigate and alter.
Helen Levitt captured the poetry of everyday street life through play, humour and fleeting moments. City at Play reveals the depth of her intuitive approach.
Cao Fei presents her largest UK body of work to date, focusing on how A.I, automation and virtual life are not speculative but apart of everyday life.
Bristol Photo Festival, the international biennial of contemporary photography, has announced the full programme for its third edition, Time Machine.
The exhibition brings together the work of Laetitia Vançon and Giya Makondo-Wills, whose series are responding to this year’s theme of “On the Cusp.”
Ten of the UK and Ireland’s emerging voices have been announced for the New Music Stage at the BAFTA-qualifying Aesthetica Film Festival.
Guggenheim Bilbao displays the two channel video installation Ever is Over All, three decades after it was premiered at the 47th Venice Biennale in 1997.
For more than twenty years, the artist has dedicated their practice to making Black LGBTQIA+ people visible in South Africa and all around the world.
Foam Amsterdam’s exhibition questions stereotypes and preconceptions of what a woman could and should look like, and asks the viewer to think twice.
Eli Schlappi’s paintings are enriched by many years of engagement with Chinese medicine, Daoist thought and East Asian calligraphic tradition.
Aesthetica Film Festival returns to York, bringing together over 300 films and creative talent from across the global screen and media industries.
