Meet artists who are transforming spaces through light and shadow. These striking sculptures cast intricate patterns images on gallery walls, creating immersive environments.
To create Cold Dark Matter, Cornelia Parker (b. 1956) requested that the British Army explode the contents of a garden shed. The surviving pieces have been used by to create an installation suspended from the ceiling. Lit by a single lightbulb, the fragments cast dramatic shadows on the gallery’s walls. “The shed looked like it was re-exploding or perhaps coming back together again,” the artist explains.
Olafur Eliasson’s (b. 1967) Map for unthought thoughts plays out within a semicircular space – using mirrors to create the illusion of a full, circular room. A rotating light sits at the centre, causing the shadows of visitors to be cast onto a curved white wall. The pattern and the size of the audience’s silhouettes undergo constant transformation; the artwork never appears the same way twice.
Tim Noble and Sue Webster
Shown here is Wild Mood Swings, a sculpture by Tim Noble and Sue Webster (b. 1966, 1967). The duo blend assemblage, light, shadow and humour – creating sculptures from piles of debris. These constructions are, in reality, extremely precise. When light is directed at them from a certain angle, figurative shadows appear – as if by magic. Discarded waste transforms into recognisable forms.
Anila Quayyum Agha
Anila Quayyum Agha (b. 1965) is a Pakistani-American artist creating illuminated environments from patterns of light and shadow. The works evoke the sacred, taking inspiration from Islamic architectural motifs found in mosques and historic sites. Geometric shapes are cast across the gallery walls, ceiling and floor – transforming the room into a space for reflection.