Izumi Miyazaki is a Japanese self-portrait artist best known across the Internet for crafting surreal, thought-provoking and humorous visual worlds.

Sem Langendijk’s solo exhibition at FOAM focuses on the redevelopment of former port cities, exploring the history of waterfront developments.

Approximately 1.75 Earths are needed to sustain current human activity. Edward Burtynsky’s aerial portraits reveal the cost of human progression.

The landscape of photography has changed so much since 2003. This article will introduce you to our favourite images from across the past two decades.

Larry Achiampong and Hope Strickland receive the Aesthetica Art Prize 2023 – a celebration of creativity that is the litmus test of our times.

Mid-century modern backdrops frame Chloe Meynier’s self portraits, examining women’s experiences at a pivotal moment in history.

New York is home to 8,992,908 people, but what does the city truly mean to those that live there? A new triennial seeks to answer this question.

The seasons are changing. Today, we’re sharing five inspiring contemporary photographs filled with blue skies, open fields and endless possibility.

One month. 100 photography exhibitions. In 2023, EMOP’s expansive programme asks: how does art touch us, and what does touch mean today?

Anila Quayyum Agha’s light-filled installations draw from Islamic Art and the German Renaissance, reconfiguring historic motifs for the 21st century.

Tilda Swinton and the Art Fund led a campaign to save filmmaker Derek Jarman’s cottage – now a symbol of individuality and activism.

A new exhibition at Melbourne Now explores how contemporary artists reference, reimagine and challenge the past with new representations of life.

Metal-clad fruit. Bedrooms that defy gravity. A full moon bursting from a volcano. Here are five images we love, selected from the 2023 Open shortlist.

Apsáalooke artist Wendy Red Star curates ‘Native America: In Translation’ – a new exhibition dedicated to Indigenous voices, communities and heritage.

Tania Franco Klein’s latest photographic project plays with perspective, light and shadow to depict a disturbingly humorous party of self-sabotage.