During lockdown, London’s Museum of Youth Culture encouraged the public to delve through old shoeboxes, look in attics and flick through albums.

Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water – causing ripples and washes of colour to bleed and blend.

Sometimes we have that eureka moment ; we think about something in a completely new way. This issue foregrounds artists who play with form and subject.

Human touch, and all its wonder, pervade D’Angelo Lovell Williams’ photographs, showing the inherent, complicated beauty of intimate relationships.

A design and technology exhibition at V&A positions South Korea as “a leading cultural powerhouse in the era of social media and digital culture today.”

Artists and technologists Harry Yeff and Trung Bao generate dazzling gemstone artworks from influential human and endangered animal voices.

A new, richly illustrated monograph paints the picture of Ugo Rondinone: an artist unafraid to push the boundaries of public art influenced by the land.

To look at infrared photography is to look at the invisible world. The human eye can see wavelengths from 400nm – 720nm. Infrared sits beyond 720nm.

Trung Bao compares the image-making process to that of music, with the ultimate goal of evoking feelings that are often hard to put into words.

There is a sense of awe that comes with discovering art outside the confines of a gallery. This intake of breath is what Gestalten reproduces in their book.

Georgia O’Keeffe created over 2,000 paintings across the course of her career. Denver Art Museum takes a closer look at the artist’s photography.

Over the last two decades, society has witnessed an array of landmark design moments. Here are five new innovations from LDF’s 20th anniversary edition.

Scraps of paper, plants, canvases, salvaged objects. Photographic artist Anaïs Boileau is deeply intrigued by materials and the Mediterranean climate.

Creativity is linked to positive mental and physical wellbeing. Yinka Illori enlivens urban spaces with public installations that ooze energy and happiness.

Niccolo Casas’ scenes are dystopian: the stuff of science fiction. Leaves emerge from marble windows – reminiscent of giant scales or holes in a wasp’s nest.

Inaccessible landscapes, sealed off zones and military exclusion areas; Gregor Sailer captures surreal architecture on the borders of civilisation.

A new Marina Abramović exhibition in Oxford promises to be the “most minimal and the most radical conceptually” she has ever made.