Staged scenes from Margeaux Walter are built on location, taking everyday household objects out of their usual context to create an uncanny effect.

A year in the Sonoran Desert is charted through billions of captured data points, illuminating the beauty and fragility of a well-known landscape.

Lachlan Turczan, one of this year’s Lumen Prize finalists, experiments with natural phenomena in order to shape multisensory installation artwork.

Albarrán Cabrera’s photographs traverse luscious, light-drenched forests and lakes, where sunbeams dapple through tree branches and over the water.

Marine Lanier’s Le Jardin d’Hannibal series is set in one of Europe’s highest botanical gardens, home to a variety of plants from the largest mountains.

Cristina Spagnolo showcases crisp photographic portraits and nature images inspired by the light, detail and form of art from the 1500s and 1600s.

Tommy Goguely’s glitch-like abstractions emerge via a process of damaging camera sensors, where colours smear, crack and split across every page.

Architecture is Satijn Panyigay’s subject of choice, creating brooding depictions of empty buildings and cinematically-lit homes under construction.

In Vienna, a major Brigitte Kowanz retrospective reflects on society’s rapid virtualisation, as well as the transformative impact of the information age.