Based in Accra, Ghana, Carlos Idun-Tawiah is tapping into childhood memories and family photo albums to construct fictional narratives.

Site-specific sculpture and installation are used to push back against art’s commodification and reproduction in Cerith Wyn Evans’ latest exhibit.

Unnoticed moments are the subjects of Lotte Ekkel’s images, from single leaves to moonlit raindrops and eerie, lonesome tree branches.

Charting the role of mirrors in the history of art, from Renaissance paintings to the latest in photography and immersive installations.

Brendan George Ko’s portraits of friends, often bathed in light and shadow, meet high-quality, crisp close-up shots of foliage to set the scene.

Right now, Cao Fei is one of the biggest names in the art world. She is making multimedia work about technology and urban change in China.

Colour dances across onoko’s pages, forming complex, textured, impressionistic images that bleed into the paper like watercolour paintings.

Out in the landscape, Bootsy Holler harnesses the self-portraiture genre as a way to visualise and work through difficult, personal emotions.

A new architecture book shows what happens when we combine the human imagination with powerful digital tools to realise escapist ideas.

Fares Micue returns to Aesthetica with positivity and optimism, sharing a joyful outlook on life through a meticulous image-making process.